It was a remarkable exhibition Eve Spencer at the Cock’n’Bull Gallery, London.
The captivating exhibition “Untamed Company” by Helen Lucy Eve Spencer was focused on between art and design, a topic lately promoted in the exhibtion of the Cock’n’Bull Gallery, London.
Eve Spencer was founded by Creative Director Helen Spencer in the art districts of East London. It is a British art and design company. Spencer is a Central Saint Martins fine art graduate and was labelled ‘one to watch’ by the prominent school’s council.
The exhibition displayed fascinating design decoration with nature inspired motifs. The entire gallery was transformed into an artwork itself, with paintings hanging from the wall, carpet, rugs, furniture and a bizarre sculpture in a corner. The ceiling was furnished with long linen fabrics.
Important is the design which is stimulated by the nature with animals, insects, and vegetables. These motifs are very common in the Italian countryside design as well. They remind me of the decorative items I used to see in the country houses, when visiting family or friends, in Maremma, South of Tuscany – particularly during the 1970s.
This exhibition opens a series about Central Saint Martins ‘one to watch’ artist designer, also featuring Miranda Donovan and Tim Noble, and curated by Rebecca Lidert, CNB Gallery Director.
Helen Spencer explains: “I’ve been humbled and truly excited by the opportunity to work with Mark Hix again, and
to get back to my fine art roots. The exhibition gives visitors a real insight into my world, what gives me reason to pause each day. It is said that the reality of art is the reality of imagination, and because my designs lean so heavily on my background I look to interiors as a canvas. eve spencer is a palette and philosophy for those who want to escape the beige and banal, and for those with a vision beyond the ordinary – but a distinct appreciation of the functional.”
Graduated from Central St Martins with a degree in fine art, Helen Spencer still lives in London, in the East art districts. The company name ‘eve’ was chosen for its affectionate recurrence across generations of women in her family. Her work for the family run Eve Spencer design house is a lavish celebration of life and nature in all its splendid integrity. With wallpaper or fabric prints of geometrically aligned insects whose beauty contradicts their reputation, rich, colourful montages that crackle with autumnal leaves, and wholly disciplined vegetables, the exhibition is for those who really see the wonder of life in itself.
The exhibition “Eve Spencer” was at the Cock’n’Bull Gallery, London, from 9th September until 3rd October 2015.
It has been a sensual exhibition the Juno Calypso, at the 71a Gallery, London.
London based artist Juno Calypso creates self-portraits in which she performs as sensual Joyce, a fictional character who enthralled visitors at the 71a Gallery exhibition.
The exhibition was quite interesting, but displaying few works, some photographs and a video lasting a couple of minutes.
The atmosphere is nice in the small 71a Gallery. Run by young people, there is a sort of café at the entrance of the rooms in the basement, and a couple of tables with plastic flowers and sequins covered.
The Juno Calypso works are focused on her own body, a full and shapely figure of a young female. Sexy and eye-catching, the images show part of bodies, which are the true artwork, located and surrounded of luxurious places, for example the location is a very expensive hotel bathroom.
The highlight of teh exhibition is the video. It is made in a bathroom of a very pricey hotel. Juno Calypso takes a bath in a foamy bath tub. She keeps on standing up and down, repeatedly in a continuous loop, showing her gorgeous body and her red hair beehive. The sensual movement repetition gives an idea of a prelude to a sexual intercourse – which will never happen.
In her work, Juno Calypso investigates the habits of nowadays seduction and beauty, and the elaborated creation of femininity. For her most recent series Juno travelled to a Pennsylvanian honeymoon hotel, where she stayed alone for a week producing unsettling new photographic and video work.
Juno Calypso is a 2012 BA Photography graduate from London College of Communication. So far, she had exhibitions in London, New York and Miami, and was featured in The British Journal of Photography, The Guardian, Dazed & Confused, The Sunday Times, VICE and The Huffington Post.
Sensual exhibition Juno Calypso was at the 71a Gallery, Shoreditch, London,from 2nd until 4th October 2015.
“Future Past” was a fascinating exhibition by Jacky Tsai, at The Fine Art Society, London.
Chinese artist Jacky Tsai had a solo exhibition at The Fine Art Society of London. It was a mix of different works and styles at The Fine Art Society of London, Jacky Tsai produced for this exhibition, such as lacquer carving, embroidering, and dresses.
The major themes were the juxtaposition of Western and Eastern society, and the skull motif Jacky Tsai created when collaborating with Alexander McQueen.
As a former stylist, Jacky Tsai is a real master in the embroidery technique. His suggestive panel of Su-Xiu embroidery on silk satin, ‘Chinese floral skull,’ was amazing.
Other interesting works were the lacquer carvings. “Future Past”, in fact, was an exhibition of western pop art aesthetic blended with eastern artistry by using the emblems of Chinese mythology. In a bizarre context, Jacky Tsai reproduced battles between western superheroes with characters from Chinese folk tales, including Wonder Woman is wooed by the Monkey King, Empress Wu is saved by Tarzan.
Western superheroes are taken from 1940s comics, such as Superman, and the battles represent aircrafts and machinery used in the II World War. The other characters, instead, are coming from the narrative of the four great novels of Chinese literature (Water Margin, Romance of the Three Kingdoms, Journey to the West, and Dream of the Red Chamber). From the Ming and Qing dynasties, in the 14th – 18th Century, these great heroic stories still are the foundation of much Chinese popular culture, from opera to television and are considered to be the most important stories of pre-modern Chinese.
The work of Jacky Tsai symbolises a vigorous feeling of severe political and social debate, with an eye to globalisation. He said: “I’ve chosen them, because they represent the battle between West and East. There is a clash between the two parties for the control of the world, for who is the leading nation. So, I decided to use these characters to represent this clash.”
Other works present at The Fine Art Society exhibition present the trope of the ‘flower skull’. Jacky Tsai collaborated with Alexander McQueen the famous fashion designer. However, he claims the creation of the famous motif was fortuitous. While studying at the Central St. Martins, Tsai was called as the young talent to do internships at Alexander McQueen. One day, McQueen asked him to make a flower skull, because apparently everyone else had failed to do it for months. Tsai was successful and the skull just became a worldwide trend.
The work of Jacky Tsai today includes a wide range of media and traditional Chinese crafts and techniques of ancient
and dying skills dating back 2,000 years, for example wood-engraving, cloisonné, ceramic and Su -Xiu embroidery.
Tsai works alongside the elderly craftsmen, who were initially unhappy to employ ‘non-traditional’ imagery. Despite the masters’ reluctance, Tsai’s determination was convincing and revitalised the declining crafts.
Since his collaboration with Alexander McQueen, Tsai has continued to work with fashion and founded his own label. Today, he works together with luxury retail brands. In 2014, he collaborated with the luxury Chinese brand Shanghai Tang on a critically acclaimed collection.
At The Fine Art Society exhibition, for the first time was displayed the new clothes collection of Jacky Tsai dresses. Refined dresses for women were on show, witnessing the artist ability to mix different styles. The pieces were presented in partnership with Shanghai Tang, enduring a long-term working relationship that has resulted in joint exhibitions and shows in Hong Kong and Shanghai.
While at The Fine Art Society, Jacky Tsai also participated to the charity event ‘BE INSPIRED’. It was an art exhibition, at the Club at Café Royal, London, organized by ‘Save Wild Tigers’ from 22nd September (and extended) until 8th October 2015.
‘BE INSPIRED’ had a programme of high-profile creative events to raise awareness and much needed funds for the quandary of the wild tiger. Alongside other artists, Tsai helped the cause, which seems to see the wild tiger’s survival in deep troubles, with only ten years left to double wild tiger numbers or else risk their extinction.
The exhibition “Future Past” by Jacky Tsai was at The Fine Art Society, Bond Street, London, from 17th September until 2nd October 2015.
The exhibition “I Think Therefore I #” by Celina Teagueclosed with great success, at the Kristin Hjellegjerde Gallery, London.
An interesting debate was raised by “I Think Therefore I #” exhibition and the closing party was enriched by a talk with artistCelina Teague, at the Kristin Hjellegjerde Gallery, London.
Really ascribed to South American style, Celina Teague proposed paintings of robust and vivid colours. The canvases are filled with diverse characters coming from various inspirations, reminding a sort of collage, but actually painted.
Strong is the brainwave that comes from the way (social) media are dealing with current news, as Teague herself said during the talk: “It’s about the social media and the way we collect information. It’s new, it’s changing. We didn’t even use Instagram 2 years ago. There’s a lot of power in collecting information. I feel disgusted by the way the news are coming to us. It’s not that we can control what we see. There is not filter.”
Nowadays, in fact, we are living in dual world. A schizophrenic environment, where the common person has two personalities: one that is physical, and the other to be used online. Supported by more and more refined devices, media are really intrusive into people’s private lives, imposing their ideas and items to buy, which possibly we do not need at all: “Nothing he’s got he really needs/ Twenty first century schizoid man.” the King Crimson were singing decades ago.
We live in a fragmented society, very much sophisticated, full of stimulus, not simply progressing, but literally hasting to a pace never before seen. Even the Futurists, who worshipped speed, were not able to conceive the contemporary situation.
Through social media, changes are quick and unexpected. People need to have many skills, to cope with different environments and situations. Therefore, to connect to the others a person is forced to ‘wear different masks’ one, or more, for each connection. But, in doing so, the person hide the real “Himself”, losing his individuality and thus becoming “No one”. A situation anticipated by the famous Italian Nobel writer Luigi Pirandello and his body of work about the mask – e.g. the novel “One, No one and One Hundred Thousand”.
The person is required to wear different masks to interact, hence, he is depersonalized, unable to react and to express his authentic opinions into the perfectly curated Internet identity he has designed, but that is subject to the chocking and annihilating power of the social media.
The exhibition at the Kristin Hjellegjerde Gallery presented all these aspects, with paintings overcrowded of small hyper- stimulating icons concentrated, surrounded by one colour hatches. Works were interpreting the contemporary schizophrenia of using different imposed masks and the consequent depersonalization.
Celina Teague presented painting that collects different information by using iconic symbols and figures and mixing them together into a single canvas. Just like in real life, in the paintings of Teague there are many details that require different skills of interpretation.
It is a sort of convoluted voyeurism, imposed but that pampers us. We abuse of social media to our advantage, trying to tell our story to an instant audience, to define ourselves to find our personality.
A great source of inspiration for “I Think Therefore I #” was the manslaughter of twelve people in the offices of Parisian satirical magazine Charlie Hebdo and the immolation of Jordanian pilot Moaz al-Kasasbeh by Isis militants, along with the daily news events of wars, cities razed, civilians, journalists and children slaughtered like sacrificial animals.
Celina Teague is born in London. She received an MA in Fine Art from Central Saint Martins College in 2007. Prior to this, she studied Fine Arts at the Universidad de Bellas Artes in Oaxaca, Mexico. Recent solo shows include ‘In Search of Lost Space’ at Kristin Hjellegjerde and ‘Brave New World Hits ca Glitch’ at Rook and Raven Gallery, both in 2013. Teague has taken part in numerous group shows in London, Los Angeles, Berlin, Spain Porto, and Vienna.
The exhibition “I Think Therefore I #” by Celina Teague was at the Kristin Hjellegjerde Gallery, Wandsworth Town, London, from 6th August until 5th September 2015.