David Franchi – Thursday, 22nd January 2014

Barbara Hepworth, Kneeling Figure (1932) Rosewood. Courtesy of Wakefield Permanent Art Collection © Bowness, Hepworth Estate/Photograph: Norman Taylor

Barbara Hepworth, Kneeling Figure (1932) Rosewood. Courtesy of Wakefield Permanent Art Collection © Bowness, Hepworth Estate/Photograph: Norman Taylor

The crowded London Art Fair 2014 was successful. At its 26th edition, London Art Fair confirms to be the leading event for Modern British and Contemporary art in the UK.

You can get lost in the Business Design Centre, in Angel, Islington, there is so much to see and to attend to. London Art Fair 2014 hosted 128 galleries from all over the world. It is an encouraging space for all kind of collectors with prices for all budgets. It is an excellent place for vendors as well, allowing business from emerging galleries to affirmed Mayfair ones.

The programme presented by London Art Fair 2014 was appealing with curated exhibitions, talks, tours, films and performances.

The galleries at the London Art Fair 2014showed pieces of talented new artists together with such more established, including Mirò, Picasso, Damien Hirst, Francis Bacon, David Hockney, Peter Blake, Lichtenstein, Eduardo Paolozzi, Alan Davie and Prunella Clough just to name a few.

New features for 2014 included the Fair’s first museum partnership, which saw The Hepworth Wakefield present a unique exhibition of British Modernism, and a new series of international ‘Dialogues’, curated by Adam Carr of MOSTYN to mark the 10th edition of the critically acclaimed Art Projects section. Photo50, the Fair’s annual showcase of contemporary photography, is this year entitled ‘Immaterial Matter’ and curated by Charlie Fellowes and Jeremy Epstein, Directors of Edel Assanti.

The Hepworth Wakefield was curated by Frances Guy, Head of Collection and Exhibitions at The Hepworth Wakefield, ‘Barbara Hepworth and the Development of British Modernism’, sponsored by Hiscox. It focused on how the museum’s enlightened commitment to the work of young contemporary artists in the 1920s and 1930s led to the preservation of this key moment in British art history.

Curated by Adam Carr, ‘Dialogues’ is a new initiative for 2014 featuring collaborative presentations between invited UK and international galleries. With many of these galleries and artists working together for the first time, the section promises a unique exhibition of critical conversations around shared ideas or a common aesthetic. Currently curator at MOSTYN, Wales, Adam Carr has previously been guest curator for Castello di Rivoli Museum of Contemporary Art, Turin and Kadist Art Foundation, Paris. The ‘Dialogues’ galleries are: DREI, Cologne / Limoncello, London; Galeria Stereo, Warsaw / The Sunday Painter, London; SABOT, Romania / Maria Stenfors, London; Frutta, Rome / Seventeen, London.

New galleries for 2014 included Brooklyn’s Muriel Guépin Gallery and Paris based UN-SPACED, with a solo presentation by Éric

Sadamasa Motonaga, 'Small Work', 1961, oil and synthetic resin on panel. Courtesy of Whitestone Gallery

Sadamasa Motonaga, ‘Small Work’, 1961, oil and synthetic resin on panel. Courtesy of Whitestone Gallery

Tabuchi. Galerie E.G.P, also from Paris, showcased two artists – Oliver Bragg and Nicholas Portalupi – whose work shares an interest in fictional and parallel universes. Further highlights included group shows by BEARSPACE, Ceri Hand Gallery, dalla Rosa Gallery, THE RESIDENCE GALLERY and Vane.

Art Projects also hosted the launch of The Catlin Guide 2014, featuring the cream of art school graduates from around the UK; and solo shows from British rising stars such as Nicole Morris, who has recently been nominated for the Max Mara Prize for female artists, at Space In Between, and Alison Erika Forde at The International 3.

Photo50 is the annual guest-curated exhibition of contemporary photography. Entitled ‘Immaterial Matter’, the 2014 exhibition was curated by Charlie Fellowes and Jeremy Epstein, Directors of Edel Assanti.

Each year, Photo50 provides a critical showcase of some of the most interesting and distinctive elements of current photographic practice. ‘Immaterial Matter’ examines the increasingly indiscernible distinction between the digital and the material. The 50 artworks selected investigated our understanding of these two classifications, and to what extent they effectively delineate our world and our fields of experience in the information age.

At the London Art Fair 2014 An extensive programme of tours, talks and critical debates took place throughout the week in association with key partners such as Sotheby’s Institute of Art, Iniva, PhotoVoice, Apollo magazine, Own Art and Vital Arts.

Sponsors and partners for the London Art Fair 2014 included Air Partner, Infiniti, Peroni Nastro Azzurro, Lund Humphries, Hiscox, Natuzzi, Expofreight and Drummond Read Recruitment.

London Art Fair was at the Business Design Centre, Islington, from 15th to 19th January 2014.


David Franchi – Thursday, 7th November 2013

Madchen by Mel Ramos (2009) © Photo London Art Reviews.com

Madchen by Mel Ramos (2009) © Photo London Art Reviews.com

At its 7th edition, PAD – Pavilion of Art and Design 2013, London, has been another successful event. Located in Mayfair, one of the art hotspots of London, PAD is known for its capacity and expertise to connect the best coming from many different areas.

The London PAD edition 2013 has seen a total of 60 exhibitors coming from 12 countries. PAD 2013 offered a view on museum-quality works from some of the leading international galleries of the world.

PAD usually focuses on the main subject of modern art, design, decorative arts, tribal art, photography and jewellery. For the 2013 edition also Antiquities and Japanese Art were present.

Despite been organised during the Frieze Art Fair week, therefore in between many others art events, PAD London 2013 Revealed very good sales figures.

PAD London 2013 is a good event about contemporary design. The galleries that joined the fair included some of the best in the world, while 20th Century design also has seen the participation of more exhibitors, and turn-of-the-century furniture was represented by Atelier DL and Oscar Graf.

Ranging from Impressionist drawings to post-war abstract paintings, the selection of works presented by new modern art galleries was of exceptional value and excellent origin.

This year was set to be the strongest yet for tribal art at PAD with the added participation of Bernard Dulon, whose collection of African art has attracted the attention of renowned institutions and museums worldwide. The field of antiquities was also introduced with David Ghezelbash and Gordian Weber Kunsthandel exhibiting a range of exceptional works from ancient Rome, Egypt and Greece. Japanese art and armour made a first-time appearance at PAD with expert gallery Jean-Christophe Charbonnier.

The PAD London -Moët Hennessy Prize 2013 was also assigned. The winners were Valentin Loellmann, with “Spring Summer” (2013) for contemporary Design; Paul Dupré – Lafon “Ski Bar” (1929) for the 20th Century Decorative Arts; and the Best Stand was Hamiltons Gallery, London. The prestigious judging panel, chaired by Jasper Conran, and including architect Amanda Levete, designer Tom Dixon and Serpentine Gallery director Julia Peyton-Jones.

The innovative design project “MwangaBora” by Evans Wadongo has been displayed. It is made of solar lamps which are changing

Zao Wou Ki (1996) © Photo London Art Reviews.com

Zao Wou Ki (1996) © Photo London Art Reviews.com

lives in rural Kenya, where they are substituting the dangerous kerosene lamps and firelight commonly used. A celebrated Kenyan engineer Wadongo was named a CNN Hero in 2010. The project was conceived by fashion designer Reed Krakoff. The lamps will be sold to benefit Wadongo’s organisation Sustainable Development for All Kenya (SDFA-Kenya), a not-for-profit that creates opportunities for education, sustainable development and economic empowerment throughout Africa.

Another exciting addition was the “1 Picasso for 100 Euros” raffle. It was a fundraiser event in which 100 euro tickets could be bought during the fair for a chance to win Pablo Picasso gouache on paper “L’homme au Gibus” estimated by Sotheby’s at $1,000,000. The raffle was organised by International Association to Save Tyre, established to protect the UNESCO World Heritage site in Lebanon.

Also another raffle was made to support CLIC Sargent a charity that helps children with cancer, ticket for £10 to win a piece of commissioned jewellery designed by Vicki Sarge.

At the PAD London everything is accurately designed including the Ruinart Champagne Bar and Restaurant that for the 2013 edition was designed by Paris-based interior architect Charles Zana, and it contained a self-playing piano by Dutch designer Maarten Baas, and lighting by the Japanese design studio Nendo.

PAD London was at Berkeley Square, Mayfair, London, from 16th to 20th October2013.


David Franchi – Monday, 04 November 2013.

Emily Davison by Nendie Pinto -Duschinsky 2013 © Nendie Pinto -Duschinsky

Emily Davison by Nendie Pinto -Duschinsky 2013 © Nendie Pinto -Duschinsky

Touch Art Fair, London, was probably the first exhibition of its kind in the UK. During the Frieze week, Touch Art Fair has made a great leap forward to the appreciation of blind people.

The relish of art comes mostly from visual senses, which is not suitable for blind people of course. Those with visual impairment have not the pleasure to enjoy art in the same way of fully sighted people, and therefore, they develop a special idea of art.

Starting from this point, in the last twenty years the concept of art as a visual medium has been reconsidered, in the sense of creating visual images in a format which can be usable for blind people.

Our personal knowledge comes from our sensorial experiences; we develop through childhood to adult life. When there is a lack of one of the senses, the individual will use the others to balance. The lack of sight means to have a different conception of shape, mass, size and colour.

The Touch Art Fair is part of this movement which aims to overcome sight limitations by allowing people to enjoy art in a tactile sense.

In a society where everything is at your fingertips but you are still not allowed to touch, spect- actors were invited to participate in a

Tactile Portrait of Emily Davison by Nendie Pinto -Duschinsky 2013 © Nendie Pinto -Duschinsky

Tactile Portrait of Emily Davison by Nendie Pinto -Duschinsky 2013 © Nendie Pinto -Duschinsky

sensory fête. They were encouraged to reactivate their forgotten senses and to experience art in a more intimate way.

The Touch Art Fair challenged conventions and makes art accessible to people with sight loss through touch. The motto for this event was: “Please do touch!”

Touch Art Fair is a non-profit organisation in London aiming to help visually impaired people but also those fully sighted to rethink the way they perceive art.

All of the artworks have had additional tactile features, with the option of touch. And it’s not just for the visually impaired.

The Touch Art Fair was at 35 Marylebone High Street, London, W1U 4QA, from 17th to 20th October 2013.


David Franchi – Saturday, 2nd November 2013.

Muffled Drums by Terry Adkins (form DArkwater) 2003, selected for the Outset Freize Art Fair Fund

Muffled Drums by Terry Adkins (form DArkwater) 2003, selected for the Outset Freize Art Fair Fund ©LondonArtReviews.com

Frieze Art Fair 2013, London, has been another successful event. The biggest fair in the UK has confirmed to be one of the leading art business places in the world.

With its numerous events and activities, Frieze Art Fair shakes up the elitist secluded art sector in London and brings together a massive amount of art events that it is almost impossible to follow up everything. The list is long and probably not exhaustive. There are so many small hidden exhibitions and events that some are almost invisible.

The fact is people found it difficult to attend to so many fairs in the same 3- 4 days. Not even running one can properly visit all these art events. Therefore, it is important to organise better, maybe a “The Month of London Art”.

Once said that, Frieze Art Fair 2013 has been the major event, overwhelming the others both for visitors and exhibitors.

Frieze Art Fair 2013, located in London’s hotspot Regent’s Park, has organised an amount of side events. In between them Frieze Projects a programme of artists’ commissions realised annually, and Frieze Music, the off-site music programme, with Meredith Monk American composer, singer and performer who presented a performance for Frieze London 2013, co-commissioned by Frieze Foundation and Liverpool Biennial.

Moreover, Frieze Film is the programme of artist films commissioned by FriezeFoundation and screened to coincide with Frieze London.

Frieze Masters Talks programme explored how contemporary artists engage with art throughout the ages. Also Frieze Talks is a daily

Eduardo Basualdo, TEORIA, 2013

Eduardo Basualdo, TEORIA, 2013 ©LondonArtReviews.com

programme of lectures, conversations and panel debates that take place in the auditorium at Frieze London. The talks programme provides a forum to discuss some of the most pertinent issues in contemporary art and culture today.

In 2013 the Frieze Sculpture Park included works from bothFrieze London and Frieze Masters.

This year the Stand Prize was sponsored by Champagne Pommery which consists in a £10,000 award to the most innovative gallery stand at the fair, and the winner were Cabinet, London.

This is the eleventh year of the unique partnership between Outset, Frieze and Tate. Outset is a charitable foundation focused on supporting new art, funding Tate to buy important works at the fair for the national collection. The following works have been acquired as gifts to the Tate Collection: Terry Adkins, Muffled Drums (from Darkwater) (2003) from Salon 94, New York; Christina Mackie, The Dies (2008) from Supporitco Lopez, Berlin; James Richards, Not Blacking Out, Just Turning the Lights Off (2011) from Rodeo Gallery, Istanbul; Sturtevant Trilogy of Transgression (2004) from Anthony Reynolds Gallery, London.

The Emdash Award 2013 went to Pilvi Takala, Finland. The Emdash Award allows an emerging artist based outside the UK to realise a major project at Frieze London as a part of the Frieze Projects programme.

Sasha II by Richard Phillips 2012 © LondonArtReviews.com

Sasha II by Richard Phillips 2012 ©LondonArtReviews.com

Frieze proved a positive experience for both established galleries and new participants alike, with 152 galleries from 30 territories coming together for the event this year. Across the two fairs visitor numbers reached in the region of 70,000 during the six days of their opening.

Frieze London ended with participating galleries remarked upon a lively market for contemporary art and showed their approval for the new layout and refinements in the design. For the second year, the addition of Frieze Masters, a fair dedicated to art from ancient to modern that coincides with the contemporary fair, proved to be a successful formula. Combined, the two fairs brought together a wide spectrum of art audiences.

This year marked the tenth year of the partner- ship between Frieze and main sponsor Deutsche Bank. Frieze London 2013 can also boasts a new partnership with Alexander McQueen becoming Associate Sponsor, with its London store presenting contemporary art throughout the Frieze week.

Frieze Art Fair and Frieze Masters were at Regent’s Park, London, from the 17th to 20th October 2013.