John Gledhill made an auction to help environmentalist charity trust. Gledhill is a London based artist. He has created a series of extinction based paintings. He organized an auction of his “Last Elephant” painting (oil on canvas, 127 x 157 cms) and will donate 50% of the proceeds to the David Sheldrick Wildlife Trust (DSWT).
The auction took place just in time for World Elephant Day (August 12th). It was possible to bid on the beautiful artwork on eBay.
The Last Elephant is one of a series of images on the subject of the extinction of animals Gledhill started to produce in the early 1990s. This series also includes the large scale painting The Last Tiger (1993) and the forthcoming Last Rhino to complete the triptych. These are the largest land animals on earth and are in the greatest danger of extinction due to poaching and loss of habitat.
David Sheldrick Wildlife Trust is today the most successful orphan-elephant rescue and rehabilitation program in the world and one of the pioneering conservation organisations for wildlife and habitat protection in East Africa.
The Last Elephant print recently featured in The Independent and Independent on Sunday, when it was donated as part of their Elephant Appeal campaign.
John Gledhill explains that the scene for these works is an imagined one, set in the near future when the last surviving example of the animal is being paraded from town to town, to give people one last chance to see it. At first, the animal was caged but the bars obscured the view of the creature, so Gledhill removed them. Most of the people in the image are on the whole indifferent to the fact that the elephant portrayed is the last of its kind. In a sort of carnival atmosphere, only one or two people try to draw the crowd’s attention to the headline in the paper the man is holding.
John Gledhill said: “Although the paintings carry a hard message they are intended to be primarily hopeful and optimistic. For me these animals are themselves magnificent works of art, and by including them in my own art works I wanted to help create a desire in people to hold on to them. By celebrating their beauty in paint I wanted to add my voice to the call to halt their decline before it is too late and help motivate and incentivize people to action no matter how small to save these wonderful creatures.”
The David Sheldrick Wildlife Trust was one of the first organizations to deal with the rescue, hand-rearing and rehabilitation of orphaned baby elephants and rhinos, so they can ultimately enjoy a life back in the wild when grown. The David Sheldrick Wildlife Trust (DSWT) protects and preserves all wildlife and habitats in Kenya. So far, DSWT has successfully hand-reared over 160 orphaned baby elephants. The Mobile Veterinary Teams make sure wild elephants remain protected amid increased poaching threats within Kenya. Supporting these operations are eight fully trained Anti- Poaching Teams assigned to patrol Tsavo National Park, arrest offenders and remove illegal snares and weaponry. DSWT has over 50 years’ wildlife conservation experience and a deeply rooted family history.
Another activity of DSWT is to fund educational trips and campaigns, inspiring locals to learn more about the importance of wildlife protection.
Fundraiser night “DEEP TRASH ITALIA: Eurosex Edition” opens the call for artists with deadline Friday 11th July 2014.
Due to the great demand that followed the first exhibition-club night “Deep Trash Italia”, CUNTemporary is now accepting new proposals for the second episode of this unique event: calling for performances, dance, videos and interactive artworks to be shown on Saturday, 30th August 2014. “DEEP TRASH ITALIA: Eurosex Edition” will take place at the East London venue Bethnal Green Working Men’s Club in support of Archivio Queer Italia – the first Italian platform on queer art, theory and activism.
We accept proposals by artists of any artistic background and nationality. Themes may include, but are not restricted to:
the impact of TV & pop culture on sexuality
the sexual politics of “canzonetta” (pop song)
the influence of gossip on general knowledge
the agency of kitsch, camp and humour on culture and aesthetics
how pastiche challenges normativity, essentialism and originality
feminism and the soft-porn generation
the influence of ethnocentrism on gender and heteronormativity
critique of nationalisms and their construction through the media
translating (or failing to interpret) cultural differences
1) Name and surname;
2) Place of birth (city and country);
3) Place of residency (city and country);
4) A written proposal (no more than 500 words) and, if available, images of the work;
5) Website of the artist/collective or portfolio.
Curators aim to respond to all applications as soon as possible. The selected artists will be notified by 15th July 2014. Deadline is Friday, 11th July 2014.
The Archivio Queer Italia (AQI) project was founded by Giulia Casalini (co-director of CUNTemporary) with the support of CUNTemporary in London. AQI is the first Italian platform for queer art, theory and activism. This project aim consists of the incorporation of a database to create a virtual archive of artistic, theoretical and activist expressions related to Italy. Moreover, the project is for creating spaces and mobile events for the display of such activities (e.g. art fairs, museums, institutions, street interventions.)
Parallel to these activities AQI regularly publishes news on queer and feminist issues and lists events and activities taking place in Italy. AQI also organises “Teoremi”, a bi-annual itinerant performance festival against sexual and gender discriminations in Italy.
Carnal Conversations is a monthly event that Colin Richards hosts at Home House, London’s private members club in Portman Square, Marylebone. Each evening has a topic as the focus but in the open forum guests are invited to discuss their own subjects or issues and share thoughts and ideas even their fantasies about sex.
This month’s guests may appear to be diverse in their specialisation but then again sex and sexuality itself has many faces. Participating to this event will let people discover stuff about sex they thought they would never know. Those who attend will appreciate as well as stuff that they should know but have been afraid to ask. Truly an evening not for the fainthearted.
The guests are: an expert from the UK’s leading sexual health clinic in Dean Street, Soho, London, and two erotic performance artist, Amy Kingmill and Apple Tart, whose work draws from surrealist and fetishistic influences.
Since moving to London in 2009 to study Amy Kingsmill has been exploring its underground scene in tandem with feeding hisartistic practice. Here in London, Kingsmill has been able to cross fertilise queer imagery with fine art aesthetics to create arresting endurance works which solicit the body as a platform and often use dressing as a form of three dimensional surrealist collage. Amy Kingsmill has performed at the Torture Garden Club and presented his paper, Pervarts alongside Annie Sprinkle at the Performing Porn symposium at Performance.
Apple Tart is born in London. She is a performance artist working with a cross range of mediums, including experimental darkroom photography, Lenticulars, and Holography. Her backgrounds is coming from the underground Cabaret scene in London over the recent years. Apple Tart’s work can be found across London of public and private art galleries. Currently holding monthly events at The Jamboree, Limhouse, and performs across the UK within The Late Night Shop Collective. She currently lives and works in London.
Although held as a members event it is possible to be invited at Carnal Conversations as non members to join by writing an email to Richards.
Infection and Reflections is Wednesday, 18th June 2014, at 7.30pm, Home House, Portman Square, Marylebone, London.
But it was not the end of troubles for Watson Taylor, who was already in Turin attending his trial, when by the end of August the steamer Orwell docked in Montecristo, its captain Raffaele Settembrini. The steamer left from Genoa and was directed to the south of Italy to help Garibaldi. Raffaele was the son ofLuigi Settembrini a famous Italian patriot.
In his adolescence, Raffaele was troubled and sent to London to study under his father’s friend Sir Antonio Panizzi, an Italian migrant who has been a very famous Director of the British Museum Library, knighted for his extraordinary services by Queen Victoria, in 1869. Raffaele studied at the Kings College, but soon returned to Turin and later joined the Kingdom of Sardinia navy. But Raffaele had problems in the navy because Luigi, his father was jailed. Therefore, he decided to go back to London and joined the Royal Mail Service.
Due to his activities with patriots, in 1859 Luigi was charged and sent to exile to America. While the steamer Stromboli was docking in Cadiz (Spain), bringing to America Luigi and other 67 Italian patriots from Naples, Raffaele was also in the same harbour, working on a merchant ship. Raffaele get on board on Stromboli disguised as waiter, soon after Cape St. Vincent (Portugal), he wear the English navy uniform, and ordered to the US captain to move to Ireland, instead of deporting the Neapolitans to America. Prisoners arrived in Queenstown, Cork, and then moved to London, where they can join other Italian patriots, such as Mazzini, Crispi, Saffi and Pilo.
Raffaele Settembrini espoused the cause of Italian patriots and went back to Italy. When Garibaldi asked for help, Raffaele with Pilotti and others hired – or maybe stolen – the steamer Orwell and set sails to the south of Italy. Many of them were Italians expats in UK, and some of them were actually born in UK, such as Paolo (or Gian Paolo) Pilotti who was defining himself as English from an Italian family.
Soon, they docked at Montecristo and created problems. As Jack De Bolina, a friend and comrade-in-arms of Raffaele Settembrini,
Cala Maestra bay at Montecristo Island
reports in his monograph Italia Artistica, n. 74 Arcipelago Toscano (Bergamo, 1914): “The steamer (Orwell) docked in the Cala Maestra bay. Volunteers – who were extremely undisciplined – asked to land. It seems here they burnt a couple of cabins just for useless spirit of destruction. Mr. Taylor has already abandoned the island. His farmer let him know about the event, probably extolling damages.” De Bolina was also a friend of Renato Fucini, a renowned Italian writer from Massa Marittima (Grosseto) who was also an expert of local legend and tradition.
Raffaele Settembrini was able to put ashore the volunteers in Naples. He was captured by an English corvette and jailed in Malta. He later was acquitted and continued his career in the marine until he get retired, but ranked Admiral of the Royal Navy.
Through Cavendish –Bentinck, Watson Taylor applied for justice and to be refunded by the UK government, because an English officer, Raffaele Settembrini, using an English boat, the Orwell, has committed piracy acts. Taylor claimed he spent over one million in transforming Montecristo island, but this is probably an exaggeration in order to get more refund.
Last decades of Montecristo
However, Montecristo island was then purchased by the Italian Government on 3 June 1869 for the sum of £100,000. Faced with the huge sum of money claimed by Watson Taylor to repair the damage, the Italian Government thought it was better to buy the island.
Montecristo was still uninhabited and so remained until the end of the XIX century when it was transformed in a hunting sanctuary, from the end of the XIX century it was used by the Royal Italian family, the Savoia, until the end of the Second World War.
Nowadays, the island of Montecristo is a very restricted zone. It is part of the National Park of the Archipelago Toscano, and therefore it is forbidden to make landfall, to bathe, to visit the island without permission. Its environment is a habitat protected as ‘Site of Community Importance’ by the European Union. After so many invasion and burglar, the only four people who live there today are: the guardian, his wife, and two agents from the Italian national police agency State Forestry Corps (Italian: Corpo Forestale dello Stato or CFS) – every two weeks they alternate with another couple of agents. Every year 1,000 people only are allowed to visit the island. The queue is about three years long, at the moment, and you need the permission of an office of the Corpo Forestale dello Stato in Follonica (Grosseto), which is in a different province than the administration of Montecristo – Italians like to make it complicated.
The treasure found in Sovana is still a mystery but for its very high value it has been now on display at the Saint Mamiliano Museum inaugurated the 30th July 2012, inSovana. Piergiorgio Zotti, The Archive of Folk Traditions of Maremma Coordinator: “It is very notable and we, as Archive were the first to tell its story during the exhibition “I Corsari e la Maremma” (ed. “Corsairs and Maremma”), at the Cassero fortress in Grosseto, in 2008. I cannot tell the value of the treasure, but it is not a little treasure. The little treasure we usually deal with is the one of the legends and ancient text. Many little treasures have been found in Maremma. The little treasure comes from fear, from the arrival of an army, from the death of the person who hide it. It consists in fifty, one hundred coins in a small “pignattino” (tn. an olla), walled in or buried in a specific place. Walled in is more often, because burying is more for novels, the one who hide a treasure he walled it in. For example, a treasure was found inScarlino, another in Sassoforte. Treasures are small episodes of greed, prevention, and death because the person who hides it did not revealed the place or the people who knows are all dead. And these are treasures from Roman times, Medieval times and Modern times. Look, I can reassure you, I am very much curious to know the purchase value. As if the value is of various millions, at that time they can even change the course of the war. Sovana, together with Sorano, was part of a byzantine defensive line, but was conquered neither by the Lombard Duke of Lucca, nor by the Lombard Duke of Chiusi (Siena), but was attacked from behind by the Lombard Duke of Spoleto (Perugia). It was the VI century, and then the Lombard domination lasted until the Charlemagneinvasion. At that time, with such an amount of gold, it was possible to purchase an army. And it was not so unlikely that groups of Lombard could go over the other side. TheArimanni, the chiefs of the Arimannia tribes (ed. the Lombards were organised into small tribes), were very independent in themselves. Some were fighting for one side, and others were with the enemy, second as convenience dictated. But, they are not to be considered betrayer: it is the tribal organisation in itself that brings to this sort of behaviours. For example, in that period Maurizio, on behalf of the Byzantines, was governing Perugia, where was passing the corridor connecting the North of theExarchate of Ravenna, to Rome, both of them under the byzantine control. Maurizio was a Lombard and when the Lombard Duke conquered Perugia condemned him to death. So, it is easy to understand that with 498 gold coins it was possible to reject a siege. Why? Because the commandant could be bribed or a group of soldiers could be hired to help, and things like this.”
So there is no evidence, at the moment, that the Treasure of Montecristo has been found. It is still a mysterious legend according to
Piergiorgio Zotti: “The Treasure of Montecristo still remains in the mythology and fantasy world. On the other hand, when I made my speech at the conference for the opening of the exhibition in Sovana, I made an example by the Verne’s, journey to the Centre of the Earth, who connected an Icelandic volcano to the one in Stromboli in Sicily pretending that people could easily walk down to the earth. This is a story that brings the deep imagination inside the people and that it trigger the spark of the wonder. A key point of literacy stories is in the wonder. Imagination is like an egg, it is hatched to allow the birth of baby chicks. But, there must not be excess with imagination or else it become magic and it spoils everything. Because, with the magic it is too easy and foregone, to do anything you want. Imagination becomes Disneyland, which is a nice place, but it is not there that imagination is stimulated and become creative. There, imagination takes a rest. That is why fat cats of the governance do not like to stimulate imagination but more to realise rest places. Because these rest places bring a lot of people, many people visit the Dinosaur exhibition, the Leonardo Machines show or the Torture Museums. But this is a subculture, this is anti –pedagogy. It can be made by traders, but not by teachers like me.”
In waiting for news from the experts, the mystery of the Treasure of Montecristostill remains unsolved but the people of Sovana will be happier in any case.